Dirty Rotten Scoundrels
The media industry’s assault on fair use is now entering its final Orwellian chapter with the MPAA‘s latest suggestion to plug the “analog hole” by legislating manufacturers to incorporate watermark detection technology into analog-to-digital converters (ADCs). ADCs are hardware components that convert analog signals (such as the input into a soundcard) into digital signals suitable for storage on digital devices. By requiring devices to refuse to convert analog signals containing a watermark, the media industry would achieve complete control over all digital content and effectively eliminate consumer’s right to fair use of copyrighted material. As pointed out by John Gilmore, the consumer may have the protected right to fair use of copyrighted material but not the technological means to extract and reuse copyrighted material.
This move by the media industry should come as no surprise to anyone who’s been paying attention. For those who haven’t been paying attention, here’s what you’ve missed:
- The Digital Millennium Copyright Act of 1998 (DMCA): Designed to update copyright to address the new challenges posed by digital technology, the DMCA included provisions making it illegal to circumvent copyright protection technology. While this may sound reasonable, opponents of the law note the media industry is using the law to squelch legitimate security research. Front and center, the case of the RIAA versus Dr. Richard Felten, a case that illustrated the law’s deadly double-edge. Most disturbing is the fact that other countries, including Canada, are looking to adopt legislation similar to the DMCA.
- The Consumer Broadband and Digital Television Act of 2002 (CBDTA): Introduced as a bill in March by Senator Hollings, the “Senator from Disney”, the CBDTA seeks to force all software and hardware to incorporate copyright control technology. This bill is a re-tooled and re-named version of a previous bill introduced by Hollings, the “Security Systems Standards and Certification Act”. The bill requires manufacturers to create a standard within 18 months of the bill becoming law; if manufacturers fail to agree on a standard, it will be up to the US government to set the standard.
With this latest suggestion, the media industry is illustrating how small changes, each perfectly logical, can result in a society where civil liberties and free will are next to non-existent. What’s to prevent the media industry to seek mandatory implantation of copyright protection mechanisms in humans once the appropriate technology is available? Sure it sounds crazy, but think of the advantages for media industry if every human’s sense of touch, taste, smell, hearing, and sight were regulated to squeeze out every last cent of profit from copyrighted material:
- “Premium” experiences: While you may pay for food or clothes, the implanted technology could be used to prevent you from fully experiencing the taste of your food or the sensation of your clothes. Want that extra experience? It’ll cost you.
- Don’t whistle while you work: Say you’ve got a cool song in your head, so you decide to whistle it. By doing this you’re reproducing a copyrighted work, so the implanted technology prevents you from doing so without paying a royalty. Even once you pay the royalty, the implants force the sounds you produce to contain an embedded watermark forcing anyone around you to pay a royalty to listen to you. Good-bye impersonations and catch phrases.
- So much for casual teenage sex: Want to enforce teen abstinence? Install NetNanny software into the implants that prevent the teens from experiencing sex in any way!
Is this stuff far-fetched? Sure, but as pointed out in The Age of Access this culture of paid-for experiences is already exists today, even without the benefit of copyright control technology. If we give companies the tools to commodify our culture, our experiences, our very lives, they will use it. Companies exist for one purpose: to make a profit. And in the war of business, everything is fair game.